The status of post-conflict diaspora language

This was initially written as a response to a comment under a Reddit post in a thread that discussed the tender relationship between the diaspora big-minority Russian language, and the indigenous majority-status Estonian language in Estonia.

I think it will take a while for Estonians as a group to disassociate the Russian language from the titular people in Russia, from the titular state, and the regime that runs it.

In my view, the Russian language as such is not guilty of any crimes.

But it has long been used as an instrument of oppression, colonization, and foreign machinations; it's been the titular language of oppressive dictatorships, and has been spoken by a great many people who have advanced, and continue to advance the policies of said regimes. — All this dismays me quite a bit.

As a consequence of having been used as an instrument of colonisation, the countries in which russification took place, naturally gravitate towards undoing said acts of colonisation and their many outcomes, which have had an effect on a number of majority-status indigenous cultures that have come to fear the loss of their native language.

This uncompromising undoing, as it were, of the results of occupation and colonisation is done perhaps as a measure to reduce the chances of their indigenous language(s) — with not too many speakers on a world scale — from becoming endangered sometime in the future.

And so, this creates the externality of the Russian language suffering the fate of collateral damage as a somewhat self-inflicted result of several conflicts and wars started by the Russian state.

Yet the Russian language itself is not in any way in danger.

But how the many Russian diasporae are to develop a culture in each of their respective host countries, which culture would be immune to foreign (Russian) influence measures and meddling, is something that requires a lot of care and nurture.

It's important to note, that in Russia proper, several indigenous non-Russian languages remain endagered, or are under the threat of extinction. Their speakers are discriminated against, and their sons have been thrown into the meat-grinder that is the Russian-initiated war in Ukraine.

There, in Russia, several indigenous non-Russian languages have already become extinct. As such, their extinction is always a major harm and irreparable loss to humanity.

Science fiction and fantasy in Estonian music videos

This began as a comment reply under Wateva's music video, but quickly expanded into something more.

(all dates are upload dates on YouTube, given here in the dd.mm.yyyy format)

As the comment and this blogpost expanded, I noticed roughly two phases of Estonian music video production.

Based on the songs linked in this post alone, the earlier phase spans the years 2014–2017. Its main characteristic is Estonian nature in a romantic setting, often interlinked with various elements of fantasy, as ancient Estonians were once fond of finding a spirit in each item, even a rock.

Estonian Fantasy and Nature

In 2014, Trad.Attack! released a fantasy-themed production Kuukene / Moon (15.07.2014) with the Moon as the main character in the song and video, filled with flying Estonian berries and greenery (and plenty of fan service :).

In 2015, Kõrsikud released "Tähetolm" ("Stardust") (uploaded on 15.05.2015), with space-based lyrics, including a passage of an 'angel's wings'.

In 2016, the Mother Earth theme was introduced in Kerli's "Feral Hearts" (25.02.2016), which contains strong fantasy elements set in beautiful Estonian nature.

Curly Strings also produced a magical video, one of the few having the Estonian winter as the main character: Hommik (09.03.2016)

A year after that, Trad.Attack! released a beautiful and emotionally risible song and video Säde / Spark (02.04.2017). The video depicts a flying golden spehere (a disco ball) in the dark of the night spreading around magical energy and life across the the nature of my country. As it was, Arthur C. Clarke's quote puts it best: "Any sufficiently advanced technology is indistinguishable from magic."

The same month of that year, Trad.Attack! published Imepuu / Magic Tree (21.04.2017). The pipe sounds are perhaps too imposing at the start. But the video shows the band playing next to a "magical" tree (in Estonia, obv.), with three lights as substitutes for yellow spheres.

In the Summer that followed, Curly Strings dropped "Miks sa murrad mind" (06.07.2017), showing amazing flyover scenes of Estonian nature. No special effects or anything.

Space, science fiction, and fantasy

The second phase presents a generational shift, and so shows productions from people heavily influenced by science fiction. These would be people who got to see the various Star Trek and Star Wars movies and series, Japanese anime, and much more.

This collection totals six Estonian sci-fi music videos, released in what is a very short three-year timespan of November 2018 and September 2021.

• Nublu – tmt (tujud, mitte tunded) (17.11.2018) — the music is the main point, and the lyric video displays a shiny animation of a viewer's point-of-view traversing above the ground of a sphere;
• nublu x Mikael Gabriel – Universum (06.11.2020) — the video (feat. Valdis in a cameo) is shinier than the music, but features both space and a planet suffering various stages of apocalypse;

2021

Alone in the year 2021, Estonian musicians have released four music videos featuring heavy science fiction. (I'm not in any way claiming 'realistic' or 'hard' sci-fi.).

Much of the same energy musically and thematically is cast in their videos: dark undercurrents in music, dystopia, and apocalypse and the Earth (or a random planet) —

• Maarja Nuut & Ruum – Kuud Kuulama (NOËP remix) (01.03.2021)
• Raul Ojamaa – Moonstrk (feat. NOËP) (lyric voyage) (08.03.2021)
• WATEVA ft. Manna - Disposable Society (03.09.2021)

Thematically, "Kuud Kuulama" presents an apocalypse, "Moonstrk" has that same world in a post-apocalyptic setting as a follow-up, and Wateva's "Disposable Society" probably depicts the rebirth of Earth.

And the latest splash:

• 5Miinust – "Koptereid" (24.09.2021) — a dystopian anime cartoon in Japanese style, with car chases, blood and and gore, and a fight between good and evil. Space is probably adjunct to the main themes of the video. I won't link to it due to its adult themes, but it's searchable on YouTube.

In the first three, the dark undercurrents as one of the backing sounds (for fail of knowing a better term) are now characteristic to modern Estonian music, and the use of background undercurrents in contemporary compositions shows the maturity of Estonian-made soundscapes.

I'd noticed a similar trend in 1990s music from mostly the United States, the music of which was then at its very height, and UK and Canadian songs of that same decade, which could have erroneously been construed as having originated in America. So there was a lot of influence to and fro.

Food on the cheap in Tallinn, Estonia (May, 2021)

Inspired by a video under which I wrote a comment.
This post applies, when one is on a very, very tight budget.

The Grossi store in Tallinn has the "Säästusai" white bread (sai) for 18 cents/220g. Maxima and Grossi have cheap pasta (macaroni) for 20 cents per 400g pack. Grossi has some kind of a tomato paste at 54 or so cents for a tiny jar. Tin cans of beans or chickpeas can be between 55 cents (on a good day in Maxima), but usually hover around 65–75 cents. Grossi has one or two kinds of ground tea that's below one euro/pack, too. If memory serves, cooking oil can be around 1€ or so. Prisma has the best prices for a pack of broth / bullion cubes (puljongikuubikud).

Prisma has the best big-store prices, while Selver is the most expensive. Prisma has the best website, which also has an English-language section. All products available at Prisma are searchable.

For comfort food at affordable prices, Prisma has "Xtra" crisps (potato chips) that are at 1.10€, with the best price-to-weight ratio. Maxima has the cheapest 100g slates of chocolate (45 cents), and both Grossi and Maxima have the cheapest lemonades (fizzy sugary drinks). Grossi usually has the most affordable ice creams, though Prisma can sometimes have really good sales for certain ice creams.

Survey company gift certificate

OTOH, Norstatpanel, which is a survey company, offers only Selver gift certificates ("Partner kinkekaart") for completed surveys.

Norstatpanel is free to sign up with, and the survey company needs to know the participant's name, phone number, and home address in Estonia. This is likely meant to prevent fraud, and verify a person's identity.

On their website, you'll need to reach at least 83 points to order a 5€ gift certificate. This takes filling several surveys, which are usually in Estonian or Russian. They also have a mobile app, though some surveys must be filled in desktop computers.

The Partnerkaart gift certificate is a printable PDF via e-mail that is sent within three weeks of ordering. You can get a different gift certificate for Circle-K, or a bookstore, but Partnerkaart is the only one that a person can use in a grocery store, which happens to be Selver.

The Partnerkaart gift certificate for Selver (the store in the chain that sells groceries) is reusable for as long there is money left on it. One can check how much money a gift certificate has, at the Partnerkaart website (Estonian or Russian only). For that, you'll need an ID card, Mobile ID, or SmartID to sign in and verify your identity. These authentication services obviously requires a valid Estonian residency.

Return bottles, get cash

Returnable bottles of water, fizzy drinks, tonics, and beers (but not wine and vodka) can get one a small paper cheque from reverse vending machines, with a sum printed on it. Cashiers in a nearby store exchange that for cash (they get the cheque and you the cash), or one can use that cheque to buy stuff in a shop, and/or get a price reduced from the total with money purchases.

Each bottle or can is 10 cents, so two returned bottles can get one pack of pasta for 20 cents, for example. If you've bought less than the sum on the cheque, the cashier will return the unused difference in cash (usually coins). Banknotes are given in exchange only, if the unused sum on the reverse vending machine cheque is greater than five euros; all depends on how many bottles have been returned.

The reverse vending machine bottle cheque can be good from 30 days to 3 months, I think, and is valid only in the store near which the bottles were returned to. Beware the terrible smell near some reverse vending machines. The reverse vending machine sections near Prisma stores are some of the cleanest.

Best prices on medicines

For the best deal on medicines, check out raviminfo.ee. It's only in Estonian, but if there is something specific you need from a pharmacy, you can make a search (otsing), and limit that to the big city or county you live in. If you have a favourite pharmacy that serves you in English (still good to know Estonian), then ask for generic drugs, if a doctor has only specified the type of medicine in your prescription, and not its brand name.

Reduced tourism to the United States

This was written in reply to a comment post in Slashdot, but then I'd worked on the reply so much, that it merited its own blog post.

Disclaimer: This post is an opinion piece, and does not rely on hard data.

It's called the Trump Slump. Travel from quality origin countries has slumped, especially from friendly places like the European Union and Canada. Well, there's lots of anecdotal evidence, too. I can't say much about OZ and NZ, because I haven't seen the articles of topic mention them. Other origin countries are those under the Muslim Ban, but a reduction of trips from these falls within the statistical margin of error.

LatAm is strange. Wealthy Latin Americans are unlikely to traverse the U.S. border anyway, unless absolutely necessary — be it a major health-related procedure, friends/family dying, custody, possible inheritance, and better safety. Not-wealthy ones fleeing violence and persecution are more likely to arrive the "old-fashioned way".

The Trump Slump is mitigated by moves from China and Russia, where the rich of those states seek to park a share of their assets in America, should the two regimes' economies ever tank, or other conditions worsen. Both are also pregnant with the "anchor baby" practice.

Do keep in mind, that official travel data about the States are susceptible to being massaged by D.C. tourism lobbies in order to look politically appeasing; such, that visits 'to North America' are mentioned, and then with data involving increased arrivals to Mexico and Canada to offset the actual slump in the U.S.

Countries with large amounts of poor people cannot afford to issue travel warnings on America, because they find it expedient, when some people leave, in order to off-load some of the real or perceived weight on society that could otherwise not be eased.

A free country relying on historically good relations with the U.S. lets the news about things being terrible stateside do their own work. Because reasons.

Vertigo. Review. Analysis.

Reaction and reply to this IMDb post
Agree about the time capsule effect; pity they didn't show the trolleybuses.

I just saw the movie a few hours ago and thought it this way:

Judy Barton somehow decides to start dating Scottie, afraid that Scottie — having recognized Barton — has already put all the pieces of the puzzle together, while in fact he has yet not. This probably hints to the less sophisticated background of both, despite Scottie being a detective and Judy being part of an elaborate plan.

Were the actor playing Scottie different than John Ferguson, who was 49 at the time, the interpretation of the film could have been different, too. — Such that if the actor were much younger and more handsome, it would have been much more plausible to believe Judy's claims of loving Scottie in the final scenes of the movie. This also applies to the relationship between Midge and Scottie, where in some scenes Midge plays the mother figure.

Hitchcock was therefore correct to complain about mis/casting an older guy, despite 'early retirement' at 49 (going on 50) still sounding about right in 1958.

Midge is clearly smarter than Scottie and knows what Scottie is looking for in a woman (a mother-like figure, that is). Scottie hasn't so far taken the bait from Midge, and it is likely that he innately knows that she knows what he wants and so would feel uncomfortable to progress from friendship to something else, as Midge's play would feel unauthentic just because she knows and that Scottie knows that she knows.

The other reason could be that Midge is far too independent; Scottie wants to dominate, but knows that Midge wouldn't let him. Scottie is also old-fashioned, as he doesn't know much about women's wear.

This is when Scottie, after meeting "Madeleine", sees in her exactly what he wants to see: a young and pretty woman with the look and mannerisms of a lady, reasonably independent, but apparently subservient on an interpersonal level. Here we see how Scottie exercises his right to dominate by saving "Madeleine" from drowning, by taking care of her, and so on.

Scottie has become completely obsessed with Judy/"Madeleine".

As Judy and Scottie keep on dating, Judy realizes that Scottie doesn't know about the ruse and lets her guard loose. She chooses to be with Scottie with designs for a better life with him (We see from Judy's family photos that she seems to be from modest surroundings in the state she grew up in).

Maybe she'd thought that Scottie, almost 50 and still not married yet, might be gay and is perhaps looking for a beard. This is alluded to in "Madeleine"'s question about why he hasn't been married yet.

At the time of the ruse, Judy as "Madeleine" was willing to appear subservient, as she was instructed to be like that by Elster. Scottie falls for it.

I remember Elster at the beginning of the movie had no intention to go and wanted to stay with his enterprise. In the scene where Judy has walked up the stairs of the church tower and Elster throws his real wife down, Judy screams and Elster realizes that this could give away the charade, which causes him (uncharacteristically) to part ways with the city and his company as soon as possible. Scottie only attributes this to Elster's grief.

Once Judy has fulfilled her role as "Madeleine", she doesn't need to appear subservient and we get to see a decidedly more independent Judy than Scottie ever thought. It's hinted about when she decides to leave Scottie's home on her own, instead of letting Scottie bring her to Elster.

The masks start falling when Scottie demands Judy to be more like Madeleine and Judy thinks that Scotty is on to something; and while she plays along out of fear of discovery, she is also pushing back, because Scottie 'doth protest too much.'

The masks fall futher after the detective in Scottie has realized that Judy was in on the charade and when Scottie takes Judy to the murder site.

Several scenes follow where Scottie is overly dominant with Judy, short of being violent. It shows why Scottie is unable to have steady relationships with women, and how this is the real reason for his being unmarried.

Scottie forcibly takes Judy up the tower while overcoming his fear of heights, tells all to Judy and forces her to confess. Judy, trying to save herself both from the situation and to tame the much too overbearing Scottie, expresses the words of love to him, but is startled by the nun, who I think was there all along, who heard everything and only used the excuse of having heard voices to appear as if she just arrived.

Whether Judy was startled or felt no other way than to fall to her death is a matter of debate.

The reason why I think the nun heard everything was because after Judy fell to her death, the nun started pulling the bell ropes and so ringing the bell right away. — A person who just woke up usually takes some time to wholly wake up, so I understood that the nun was completely alert by the time Judy's confession escaped her lips.

The ending is left a bit open, because Scottie could be implicated in Judy's death. His saving grace is the nun, who apparently heard everything... but chose not to reveal this.

Or, if the nun really heard "some sounds," and only witnessed Judy fall down, then Scottie would be in a difficult position. Scottie would think that the nun would tell and would want for the nun to be silent. The old and wise nun probably knows this, too (by way of having observed Scottie's mannerisms with Judy), and rings the bells as soon as possible to make sure Scottie doesn't get any chance to impove his position on account of another person's life.

---

In a later post, I added this:
I remember the "gay old bohemian days" phrase was uttered by Midge's librarian friend.

If we allow ourselves to assume that Scottie might be gay, then the librarian friend somehow recognizes this in Scottie, but Scottie dismisses it, because he doesn't know it yet himself. We might see it when Judy (perhaps still as "Madeleine") and Scottie stroll in a park full of young people being together and cuddling. I then saw a cut to Scottie and Judy, where Judy seems to wistfully look at the young people with want, but Scottie appears conflicted — almost wanting to be there, too, but restraining himself.

Then what I forgot to add to my original writeup is this point:

While Judy is actually more independent and despite that still willing to be with Scottie for various reasons, then by very the end of the film she sees her decision backfire, as Scottie becomes more dominant. By the time Judy actually realizes this and starts pushing back, it's too late to break free, as Scottie is almost violent and takes Judy out of the car to the church tower.

Scottie's demands on Judy to be like "Madeleine" is an exercize of a series of warning signs, which Judy doesn't recognize.

So, if the actor playing Scottie were younger, I'd more readily believe Judy's love for Scottie, while with the current version of her "love" might more than anything be for reasons of fear.

Alternate dialogue between Weaver and Tector

Warning: Here be spoilers of some sort regarding the episode "Death March" from "Falling Skies". I wanted to write this as a comment on IMDb in a forum post, but then started having doubts about its policy on publishing fan fiction on its forums, so moved my ideas here.

I found it very disrespectful of Weaver to push Tector like that and so blatantly play on the feelings of a person who's driving a large truck. If I were Tector, I would have asked Weaver if he wanted to take over driving, or I would have stopped the truck and gone to the back just to avoid Weaver asking questions, but maybe that's just me.

I guess Tector couldn't stop driving, because they were low on fuel anyway, and there was no immediate reason to stop driving and unnecessarily spend fuel on slowing down and then later going on again. Weaver, of course, was using the situation. I think then I would have given Weaver "Don't push it. Sir."

We don't really know what was Weaver's reason to start pushing so hard on Tector. One reason could have just been the plain lack of manpower, and perhaps he wanted to find out if Tector has more in him than he has so far let know. Maybe it's that he's looking for someone who would in the future be able to command just in case something happens to Weaver himself.

So here I'm playing around with an alternate exchange between Weaver and Tector:

(Not exactly spoilers, but hey, I had like two options of how this would go, so here's one... I considered adding a Southern accent to Weaver, but might have fumbled it, 'cuz I can't distinct Black Southern and White Southern in writing. And it all may be a cliche of my own, so beware)

Option #1

- T: "Don't push it. Sir."
Here, Weaver would pause to process the Sir, as it alludes to Tector deferring to his command. Weaver now knows that Tector is alot more trustworthy, but realizes that Tector said as much just to avoid Weaver pushing him.

And after a while,
W: So you were a soldier?
Tector is silent and avoids eye contact.

Weaver realizes that his assumptions have been correct, but doesn't feel they've been completely confirmed to stop asking. Out of boredom, and to try to pull more out from Tector, Weaver would start talking about himself, maybe about some ambush he experienced, and some similar stuff, about the deaths, and such and such.

Tector, who is not really as stupid as he lets on, would pre-empt this by cutting off Weaver's speech:

- T: Don't tell me about some ambush, and that you lost people and that you regret it, and that you wished you were the one to go...

Tector's breathing has become heavier, while Weaver stops, realizing he hit one of Tector's sweet spots. Weaver is silent, while Tector tries to keep his calm.

But,
Weaver then explains his realization that what keeps him going are all the people there behind him, which he then calls responsibility, "Ya know?"

- T: I know. I know what it's like to be in a battlefield. And what it's like to lose your mates.
- W: I just wanted to know.
- T: I don't think I want you to know. Yet.

This at least is a second confirmation to Weaver that Tector has had advanced military training of some sort. This would make Weaver want to know more about Tector, but he knows he has to tread gently.

- W: What if somethin' happened to me again?

This makes Tector think.

- T: Tom can take over.
- W: He was on the alien ship.
- T: What, you distrust him now?
- W: No!
- T: Hal?
- W[with doubt]: He's a good boy, but he ain't got long-term experience.
Tector pauses a bit, and then, almost non-chalantly:
- T: Well, Pope's a good shot.
- W: Pope?! Pope's a firebrand! Yer too good to know it yerself!

[A pause ensues.]

Here I thought Tector would start opening up by explaining his two tours of duties in Iraq and Afghanistan. But not the ambush.

- W: So you are a soldier?
Tector tells his rank and where/who he was stationed with.


I relized that the second dialogue option would be even more intersting:

Option #2

- T: "Don't push it!"

Here, Weaver learns that there might be soft spot in Tector.

- W: Ya know, I've been thinkin' about givin' it all up, too.
- T: Oh yea, tell me abot it! [said dismissively]

Weaver takes it as if Tector is challenging Weaver to humour Tector, so Weaver (perhaps out of feeling insulted about it) starts blathering about his experience of loss from his past military experience and into the post-invasion times; all the while progressing into more and more desolate and macabre descriptions, whilst Tector becomes at first slowly, and then more visibly distraught. As Weaver continues without at first actually looking at Tector, we see Tector breathing more heavily and wiping his left cheek onto the left jacket arm (assuming Weaver doesn't notice from that angle, or intentionally doesn't pay attention), while Weaver goes on and on [insert somewhere Weaver's wish to give it all up and a death wish, too] until Tector audibly sniffs, crying his eyes red while trying to drive a truck, which starts veering off-course. Noticing this, Weaver stops his blather, realizing he's taken it much too far, and helps guide the driver's wheel that Tector somehow holds to turn the truck's course straight.

(This is actually a dangerous situation in another sense, as here Weaver could lose Tector's emotional trust.)

Weaver is silent and keeps his left hand on the wheel of the truck, as Tector tries to regain composure so as to be able to drive the truck on his own.

Weaver just says:
- W: I'm very sorry.
- T: No you're not.

Weaver is very angry (because he did feel really sorry for Tector, knowing that he had experienced a traumatic event before the invasion), but doesn't show it. Weaver eventually becomes really sad himself, looking down, and then forward, but without all the water.

After a minute or so silence:
- W: So you were a soldier?
- T: I was.
- W: Something happened, right?
- T: Yeah. Lots of things.

Weaver finally, but much more shortly, explains his past feelings of despair and then his rationale for going on, and the case for responsibility for the people behind his back.

Tector then says that he knows, like he understands, and starts telling how he was deployed in Iraq and Afghanistan, his rank and which group he was deployed with, and about the ambush. Some moisture exits Tector's eyes again, but he maintains composure.

Weaver finally pats Tector on the shoulder:
- W: I honestly didn't know.
- T: I didn't want you to know.
- W [looking at Tector]: We really need people like you.

Here's a pause, to let Tector calm down completely.

- Weaver: So you are a soldier?
- Tector [who is now more determined and looking at Weaver for a moment]:

Yes, Sir, I am.

Weaver feels moved. Maybe he'd say something cliche, like
- W: It is an honor to have you with us.

Tector, though begins explaining his doubts, that his initial plan was only going to take the 2nd Mass to Charleston, until he suddently stops the truck because of the broken bridge.
[spoilers end here]

Sulnis Silik

This I replublished as a comment (which was intended as such) in a thread on IMDb

I'm going to add myself as a huge fan of Stargate Universe, too ^_^

Well now, in chronological order, the non-Star Trek series I've followed and which still remain my favourite (with marks):

* Earth 2 +++
* "Roswell" +++
* Farscape ++++
* "Battlestar Galactica" reimagined +++
* Stargate Universe ++++

TV show I'm willing to consider:
* "Terminator: Sarah Connor Chronicles" (I've seen a few episodes and the series had lots of potential, but it was axed)

TV series I liked back in the day:
* "Babylon 5"
* "Time Trax" and
* "TimeCop" (both shows very similar in concept) — don't ask me why, but there was a particular night about ten or even more years ago when a Nazi-themed episode of "TimeCop" aired on one channel and later that night another channel featured the "Philadelphia Experiment II" film (the plot of which is very, very reminiscent of ENT's "Storm Front," Parts I & II). I must have seen this one a decade or more ago on German TV.

wrt "Enterprise", I'm going to add that I've gone through a marathon of a number of episodes and now seem to have greater appreciation of it, despite the continuity flaws and all.

With the exception of Jolene Blalock, none of the primary characters are very astounding or particularly deep, so I'd add that the storylines, vfx and guest actors add the most spice, especially Jeffrey Combs as Shran and John Fleck, who most fabulously played Silik.

What I would have done to the cast: Phlox should have been killed off or reassigned to Cold Station 12 in Season 1/Season 2, somehow replaced by Silik to "play doctor". Silik could have been disowned by his very own Suliban Cabal, for example. Unfortunately, he was put to the very top of the Cabal food chain, so there wasn't anyone to replace him, but I'm sure Future Guy could have made necessary arrangements to the past to affect Silik's life in as punishment for some infraction...

So, in any absence of a good doctor in uncharted territories, the deliciously bad-@$$ Silik could have then slowly gained the Enterprise crew's trust, but still stay sneaky and cause surprises and trouble, yet remaining too essential for the crew to be replaceable by any Federation-approved doctor.

Silik's unfamiliarity with the Hippocratic Oath could have added another layer of drama; his expert knowledge in very many things Milky Way Galaxy could have given an addition to suspense and provided a different dimension of knowledge compared to T'Pol's Vulcan-sanitized view.

The only caveat that I see with Silik's appearance is whether there was such colour makeup paint at the time for Silik's apperance that wouldn't adversely affect an actor's internal organs the way it happened to Virginia Hey in Farscape.

Estonia's Kyoto deal

This post is in reaction to comments to a post by AnTyx about Estonia's acquisition of electric cars by Mitsubishi for trading pollution quotas (or, if you will, emissions — also called assigned amount units or AAU's) to Japan under the Kyoto Protocol).

The rare-earth metals issue is half-moot: It's not so much about mining them, but producing and processing them to some usable state, and outside China, Estonia's Silmet are like the only supplier (a few moons ago there were articles about Silmet both in EPL and The Economist); while Australia et al. are restarting production — they had to stop, because Chinese supplies were so cheap, and then China raised prices when it turned out that they were the only major producer and supplier (like there's anything new in such a world of business).

So I figured that this isn't just pure chance that Mitsubishi, Japan, and Estonia got off with this a great deal wrt. pollution quotas and electric cars (the batteries of which require rare-earth metals :).

Sell Stargate Universe to another channel?

I recently posted this to GateWorld, but getting it here in my blog is just faster. I slightly edited the text for less ambiguity and better grammar.

On causes and effects

1. I read some of the possible factors for cancellation by SyFy and one of them was timing, where a four-month delay throughout the winter is bad for an arc-based show, because new and casual viewers could quickly lose interest, which is why ABC kept airing "Lost" without much interruption. I belive that the choice to move the series to Tuesdays was a bad move (schoolkids are busy doing homework, other people working inside a week, while Fridays are freer).

2. The other problem is in marketing the show: First-viewing rights went to Anglo-Saxon countries (U.S., then Canada, then UK and Australia) and then some other country's channel got the episodes later or that channel wasn't quite interested: people in that country already had the episodes online (by any means): iTunes does not extend to enough useful territories, Hulu is only U.S.-based and did anyone consider having the episodes up on VEVO (an ad-supported YouTube project)?

The trick is in timing: Some very successful movies (The Matrix series came to mind) are screened near-simultaneously worldwide to avoid losses in second and third countries, because by the time a movie screens there, people in those might have already seen the material outside the movie theatre and may thus stay away from there.

Crazy idea #1: is for MGM to produce a quality SGU episode and launch it as a movie, worldwide (with nearly the same production budget). And many episodes back-to-back that way. I know it hasn't been done before.

Crazy idea #2: In trying to continue SGU on another channel, a collection of interested TV networks from around the world (I first thought Europe, where Atlantis was very popular, but then there's Australia, NZ, Japan, and maybe some friendly Latin-American countries) could create a collective financing pool to help produce SGU with the current producers keeping the creative freedom and all those channels could then near-simultaneously air the episodes. This would off-set the need to get individual episodes by ambiguous means. Now, how to get the channels interested in product and project, is another matter.

In addition, good DVD marketing could also help.

Farscape had the Library project and the Military/Navy project — donate VHS's (at the time) and DVD's to libraries and military/navy outposts. We could do the same and even more.

(This was my first post on GateWorld)

Red Matter

In reply to a post in IMDb forums on Star Trek XI.

My theory on this is that the Red Matter black hole that Spock Prime created gained in size by way of consuming the sheer energy of the supernova, thus enabling both Narada and the Jellyfish to pass through. Also note that both ships were very state of the art for their time, so they were within their means to traverse the black hole reasonably safely.

The black hole that Nero had his crew create within Vulcan's core did not gain much in energy compared to the supernova, and therefore remained the size of a very powerful peanut (equal to the size of the amount of red matter separated from its larger whole at the Jellyfish), which then sucked the planet's very unfortunate contents into it, maybe letting the contents in their basic and compressed form be ejected at whichever other side, as if passing though a one-hole meat grinder.

Slashdot fun: Witty science

How we discover exoplanets

For more on Wikipedia, read on.

Other film and media material on Estonia

As it happened again, I wanted a more permanent fixture off a forum post on IMDb.

A list is available titles @amazon.com with the search string Estonian film.

From Amazon's two-page list, I can also recommend the following:

• "Broidit" (2003, IMDb score 3.8/10 (I don't know why such a low rating while the film picked up a few accolades), roughly titled "Brothers" and is an Estonian/Finnish co-production), which I haven't seen, but the synopsis of which I am familiar with and which I know was featured in the 2003 Tallinn Black Nights Film Festival (Pimedate Ööde Filmifestival/PÖFF). The plot itself revolves around the title subject, love and loss.
• "Sigade revolutsioon" (2004, IMDb score 6.3/10, "Revolution of Pigs"), which is is a comedy/coming of age movie set in a Soviet pioneer camp during the perestroika era. It has quite a historical/nostalgic flare to it and it picked up the Special Jury Prize at the Moscow International Film Festival.
• "Klass" (2007, IMDb score 8.2/10, "The Class", Wikipedia article) is about what a bad school environment may lead to. This is typically a staple for students in Estonia and the film has won four awards, two each from Karlovy Vary and Warsaw international film festivals. The plot slightly resembles that of "Heart of America".
• "Sügisball" (2007, IMDb score 7.6/10, "Autumn Ball"). I haven't seen this film, but it's contemplative and is about life and love in tower blocks that were built during the Soviet era. "Sügisball" has won numerous awards from around Europe.

Eesti Rahvusringhääling (ERR), the national TV and radio broadcaster in Estonia, has its own e-shop (in Estonian, though):

• Main page
  
• Film and documentary features:
  
  
  
  • "Mehed unustatud armeest" ("Men from a forgotten army") is about Estonian soldiers in the Estonian Guard Company (Eesti Vahikompanii) 4221, who fought on the German side during WWII and then guarded German prisoners during the Nuremburg trials (not always at the trials but near the court house) after the war as part of occupying forces of the U.S.
  • "August 1991" is also available.
• History series and music suggestions from the catalogue:
  
  
  
  • "Eesti aja lood" (Vol. I) is a history series that concentrates on life during the First Republic. Has English-language subtitles and is currently the best multimedia resource about what life during the Old Estonian Republic was like (includes both politics, economy, and ordinary life and how people lived).
  • Estonian song and dance festivals — These are recordings of national song and dance festivals, which take place every 4–5 years. This is if you are interested in classical and choir music.
  • "Öölaulupidu Märkamisaeg" is the 2008 song festival "Märkamisaeg" ([i]märkama[/i] is to notice, so "A Time To Notice"), which is a very large nighttime festival that lasted for like six hours and features all kinds of music throughout the history of Estonia (not just choir music).
  • "Laulupidu 2009" is about this year's song and dance festival
• Order information:
  You can order by e-mail and there's a mail-in charge: 1 item is 40 EEK and then it's progressively less the more you order.

Truth be told, I am not much into Estonian film, despite some interesting material available. What I really like are Estonian documentaries about history and nature.

Estonian films on the history of Estonia

I just saw the "Names in Marble" movie on DVD, so when looking on IMDb for Estonian films about Estonia's and Estonians' history, I felt compelled to write a primer, a list of Estonian movies to those interested in Estonian history. The list is by no means complete.

• "Noored kotkad" (1927, IMDb score 8.2/10, roughly titled "Young Eagles", Wikipedia article) is one of only very few Estonian films made before 1940 that wholly remained intact. It depicts the War of Independence.
• "Inimesed sõdurisinelis" (1968, IMDb score 7.1/10, roughly "Humans in Soldier's Uniform" — inimesed means both 'people' and 'humans' in plural form) is a film made during Soviet times about Estonian Shooting Corps, formed by the Red Army and so these men fought for that side during WWII.
• "Tants aurukatla ümber" (1987, IMDb score 8.6/10, roughly "The Dance Around a Steam Boiler"). This one chronicles peasant life throughout much of the century until about 1986/1987.
• "Äratus" (1989, IMDb score 6.8/10, roughly "Wakeup"). This one is about the March-deportations of Estonians to Siberia. That one was made under the Soviet reign, but at the time of glasnost. I recently saw that on TV.
• Then there is "Need vanad armastuskirjad" (1992, IMDb score 6.8/10, "Those Old Love Letters"), about the adult life of Raimond Valgre, an Estonian composer. Throughout the film one will also see some of the history of Estonia throughout approximately 1930–1949.
• "August 1991" (2005, IMDb score 6.9/10), a TV drama production on video made by Ilmar Raag chronicles the events of the month in 1991 when Estonia regained independence.
• "Georg" (2007, IMDb score 7.2/10) is about the life and times of Georg Ots, an all famous (both in Estonia and all of the Soviet bloc) opera singer and baritone. The film also dwells around war-time, WWII, more specifically.

I don't know if "Tants aurukatla ümber" is a staple on local TV, but it's the one movie that I liked the most and it's also one of those in this list that has the highest overall rating.

Obituaries, John Hughes, and feelings

This is the best obituary that I have ever read so far — one remembering John Hughes, a filmmaker who's films have defined the look and feel of 1980's youth.

The blog post reminded me of an obit poem I once wrote and published (granted, I won't publish the link to it here) to remember a young man who was killed in action. I wrote the poem, because I looked a the released document photo depicting him and suddenly felt infatuated of him. Even though he was dead.

When re-reading the poem I wrote, it now appears a bit cheesy and maybe rough around the edges, possibly a result of my infatuation at that time, but then decided to keep the poem intact, perhaps because it represents a snapshot of how I felt about the loss of a person I didn't know, but knew somehow that he was a good person, nevermind his occupation.

Fame (1980 film)

To those not in the know, here's a link to the Wikipedia article about the film.
I submitted a very similar comment at the film's IMDb discussion board.

Saw it on Turner Classic Movies, I think since the part of the musical rumble in the cantina.

What I found to be so incredible, or perhaps really interesting, is that this is the kind of film that might mark an era in many, mostly positive ways. Not a Christmas movie, but perhaps something to be aired once school is (finally) out. Maybe it is aired at that time.

What had me interested were the hairdos, the clothes, the music, kids' attitudes and all of them listening to that music and wearing some of what was to become the mainstream fashion well into the 1980's. The cars of the period, too.

As I kept watching (while missing some parts for the snacks, because TCM doesn't play ads inside the movies), the things that made the film interesting were the trends in diversity that we now seem to take for granted almost everywhere throughout the nowadays' TV- and movie-land.

The film stays faithful to the title subject and the adage of how there are people who are artists and those that want to be artists (or someone at all).

And then, the movie is still about the youth of that time. Being 27 myself, it was a year before I was born (behind the iron curtain, no less). So for me it served as something of a revelation about how the ostensibly average young people of 29 years ago lived and interacted, what were their thoughts and dreams and what did they do to realize their dreams.

Investor death over money lost in a huge Ponzi scheme

Gawker.com reports with possibly the best line:

“Bernie Madoff's $50 billion Ponzi scheme is growing fatally baroque. A French banker was found dead, in a grotesque office tableau, after losing $1.4 billion in the scheme.”

New York Police Commissioner Ray Kelly in an interview:

De La Villehuchet was found “with his feet propped up on his desk, a trash pail nearby to collect blood” and no sign of a second person.

The money manager had “multiple stab wounds” to his arms and wrists, and a box-cutter and pills were found nearby.

Perhaps the most insightful comment of the whole sordid affair questions the money manager's ability to stab himself first in one arm and then with the stabbed arm to stab the other arm, too. Click there on the + sign to expand for an equally insightful reply.

November 23-24 Snow Storm in Tallinn

Couldn't really call it a winter storm, because a week later much of the snow had melted and a week and a half later most of all of that snow was gone. The only thing the weather had to offer three weeks later was very, very slippery black ice.

Here's a list of links to photos on Flickr — the developers of which have provided great ways to manipulate with addresses to get all the right views.

A detailed view shows larger images in a page and a list only lists thumbnails.

User anjok was the only sensible person to upload her images under a Creative Commons license (using CC-BY-NC-ND).

22.11.:
By user moonrages — See how deep the cross is.

23.11.:
User anjok — detailed view
moonrages — detailed view
nikonsmypal — detailed view
sinnatagasi — detailed view
tomipildid — list of seaside images
tomipildid — Broken tree blocking the road
die5pezfabrik — A very good milieu image

24.11.:
User anjok — detailed view
die5pezfabrik — detailed view
jansolovjov — People shoveling their cars out of the snow
moonrages — detailed view
voyag — detailed view

25.11.: Aftermath
User 10175592@N07 — detailed view
 

Two points: World's soundest banks and how forward-looking Estonians are

In July, a family member in Canada wondered if another depression is going to happen in the U.S. and how it will affect Canada.

Well, it may be somewhat early to think of a depression yet (I'm trying to be an optimist, or maybe is it, that my worrylessness may actually be complacency), but it's always best to be careful. "Better safe than sorry" sounds perhaps a bit too cliché. At least right now, people are bracing for the impact that this negative growth is (also called a recession, mostly after the fact).

I do have to add that Canada has soundest banking system in the world, with Sweden at #2 and most large Estonian banks belong to Nordic banking companies.

Of course, the latest Time article about Estonia is not so bloomy anymore about Estonia. After all, if you're exemplified all around the world for being great when times are good, remember to expect being reported on at difficult times (and how you're faring).

This Time piece by Andrew Purvis reflects on Estonians' reputation for "being practical, down-to-earth, and forward-looking." The latter notion being rather telling, because in "The Baltic Mourning After", the same author has noticed "Black banners for a lecture series [...] in Tallinn asking: IS THERE LIFE AFTER CAPITALISM?"

The lecture series happened in October (with the end of the month culminating with the screening of "The Corporation", a Canadian documentary) and still continues to happen in November.

Links and comments

• 21.10.: Canada rated world's soundest bank system
  You just have to love those oddball news sites that still keep their articles :-)
  
  Op-Eds:
• 31.10.: Strong, safe and open for business
• 03.11.: Mel Watkins . Still strong and free
• 10.11.: Why Canada's Banks Don't Need Help
  — With a link to a somewhat sardonic gallery of Top Ten Scared Traders at the end of the article. || I guess the guys and gals there will be remembered as really-really brave for having had the guts to yo-yo, swing and zigzag through the precarious financial mêlée that befell in their midst.
  
  Doubt has also been creeping in:
• 13.11.: Experts not sold on bank strength
  I'd say rather that a sound banking system allows a country to tough it out through the rough times with less pain than those rated to be in their forties. I remember a piece in The Economist which mentioned that wealthy countries will have it harder than poor countries, because the latter have a difficult life anyway.

Sarah Palin and What the Media Thinks of Her

1. Gawker: Bias: Subtle Media Sarcasm Watch
   
2. The Stump blog: AP: Palin abuses power in abuse of power inquiry
   
3. AP: Palin lawyer meets with investigator in probe
    
   
4. AP via Yahoo!News: Amid GOP revolt, bailout deal breaks down
   
5. More details of dramatized politicking on the above
   

Update: From a comment on HuffPost:

"Sarah Palin is Hot, but her hotness is in inverse proportion to the square of how long she talks."