"Super 8" movie review

Well, I hope this will be short enough
Warning: Here be spoilers

Ten, maybe fifteen years ago I would have liked this flick very much and just as much would have been very tempted to retell the story of the movie.
What a difference doubling my years of life then actually makes.

Over many years, I actually went to watch a movie in a movie theathre, over many years with a friend, and over many years with a friend whom I haven't been to pictures with since 2003.

Turned out that instead of a sci-fi action-drama which had kids in it, it was a kiddie-movie with sci-fi action and some drama, too. A very good kiddie-movie. If I were a kid, I am sure I would have really loved this film.

Cinematically, JJ Abrams has done very good work on "Super 8", echoing both of Spielberg's "Close Encounters of the Third Kind" and "E.T." After all, Spielberg's name was plastered all over the posters of "Super 8". Michael Giacchino does well with the score and his musical style is recognisable (see "Star Trek" (2009)).

The great stuff

• The train crash is the best train crash I've ever seen.
• SFX concepts of the alien ship are really out of this world. I mean, I've never had any idea a ship could be built like that.
• The late 1970's now refer to a time that eventually might be long forgotten well into our own future, but the film somehow manages to document a way of life and an America that back then was still a dreamable place to be in.

(One omission of the Summer 1979 events is the re-entry of Skylab, news of which was huge in America.)

The interesting and thought-provoking stuff

The most intriguing parts I found appeared to be the most insignificant ones.

• The Three Mile Island nuclear accident lent me to belive that the young protagonist Joe's mother died in that accident, and not in the steel mill, and Joe's young lady-friend Alice's (Elle Fanning) father was the one who failed to attend the shift at the time, which proved fatal to Joe's mother.
  
  The release of the movie in Summer of 2011 is somehow coincidental, after the Fukushima nuclear accidents in Japan, which began on March 11, 2011. Coincidentally, March 11 is a very loaded date for me since 2004 (the Madrid train bombings) and now even more since this year (2011). In 1979, the Chernobyl nuclear accident hadn't happened yet.
• Of course, 1979 wasn't exactly a crisis year in terms of the economy, despite the 1979 oil crisis, for example. It's also before the Savings and Loan crisis of early 1980's really came to be about. Maybe when one progresses into adulthood and reaches news-reading age, then in some ways, crises are always there, around the world; some are closer to home, some are less. So 1979 had its crises, but they weren't of the scale of now.
  
  In light of which is today (as of July 2011) regarded as the Great Recession, the film reminds well into its start for people to be compassionate, generous, and giving; sort of attempting to show that it's still a good thing™ to have these qualities, ways and means permitting. "Transformers: Dark of the Moon" also touches up on the recession.
  
  Breakdown (intentional or not) of the Nuclear Family and single parenting are referred to at least twice; My half-educated guess is that most actual series and films from around the era (1975-1985) wouldn't ever have any of that in the main cast line-up and storylines.
• The movie is good in tackling other difficult subjects, like imprisonment, maltreatment and mistreatment of foreigners (the alien being a substitute for the purposes of storytelling) who are regarded as low-lives, despite their sentience or even intelligence. Think Guantánamo. How would someone have to cope with the after-effects of gross mistreatment upon eventual release, what is the subsequent reaction and what should it ideally be (? — in the mind of a moviemaker and viewers who mostly tend to agree), or what can be the motives for aggressive behaviour and how to reduce chances of vengeance or any reoccurrence of it?
  
  This JJ Abrams film is the one where he very well manages in picture terms to explain all of the above to a young mind. Star Trek now seems like an 85% attempt at this, being a very engaging sci-fi action movie and all.
• The solution presented is not forgiveness, but departure and detachment. Current policy in world politics seems to desire this to be preferred behaviour, given that sincere forgiveness cannot be easy in the first place. The film suggests that perhaps it's expressions of compassion and dignity in the act of release that might prevent vengeance, or reoccurrence of it. Who knows. Has it been tested and proven already?
  
  Any political power wishes, and, in various degrees usually gets departure and separation of its prisoners from said power upon release, physically at least. Yet mental departure and detachment (letting go) is never easy. Most action flicks have not delved into this.
  
  In a "fish out of sea" situation, departure and detachment might be the first reactions anyway, especially if survival is the primary consideration. Sometimes, compassion and dignity are the first and best steps into repairing very bad relations, methinks, or at least help in stopping violence. A cease-fire, then: "...But you can live!". Well, the movie gets that right.
  
  Remembrance, on the other hand, is special:
  Would it be too difficult to explain all of that to adolescents?

• Kid acting kudos go to Joel Courtney (Joe) and Riley Griffiths ("Production value!!11!!!").
• Special kudos to Kyle Chandler and Elle Fanning.
• You won't notice David Gallagher from Seventh Heaven.

If you want to see what the times were back were then 30 years ago, or just reminisce of the times back then, then see all of this for yourself in the movie or from an optical disk once that comes out.

Yet, if a young mind might wish to ruminate over above topics in the bulleted list, I'd suggest watching a documentary or reading the Geneva conventions...