Tuvix

This was essentially an IMDb forum post reply, but I decided to put that up here first, becuse I thought my ideas are just so compelling :gt; to let them go away, as forum posts sometimes do on IMDb...

Janeway had to choose between not keeping Tuvix alive and not having Tuvok and Neelix around. Essentially her obligation was to her crewmembers Tuvok and Neelix, who she felt she had to save. — Especially Tuvok, who was the only one who Janeway could talk to, because no-one else would listen unless absolutely necessary :>

Chances are that if the writers and producers were willing to have Tuvix alongside Tuvok and Neelix, then it would have been quite a bit more intersting a tv show than what dreck Voyager ended up being. I am not sure how it would have fared budget-wise, but perhaps Tuvix could have been made a regular...

My mind went into overdrive around here:

Neelix would be completely sidelined in his cooking duties much to his chagrin (loss of any culinary status and interaction with crew in the kitchen), and then to add insult to injury, Tuvix could have knocked up Kes in very quick order :9 (I wouldn't have minded that after "Warlord", which was Jennifer Lien's best episode). All that would have given Neelix two very good reasons to be extremely jealous, jealous, jealous!!1 :>

But if Tuvix were kept, then I would have done away with Harry Kim (I'd say he should have been assimilated into Species 8472) and Chakotay (assimilated by the Borg). In the process, "Voyager" could have for some time been a battlefield, and its crew desperately caught between Borg and Species 8472 fighting one another, with the poor ship disparately flying to and fro Borg space and occasionally the Fluidic space.

There should have been some reason for Voyager to be the bone of contention between the two big powers. Maybe the super-important Omega molecule (or even a collection of them) freeflying 'round the ship of its (their) own volition, with neither power being able to get it, because of its rather elusive nature...

For all that time, that would have been very taxing to Janeway, who'd end up having PTSD, making multiple mistakes and judgements of error after Chakotay's assimilation — cuz she was secretly pining for him... And the Borg Queen terrorizing Janeway by privately showing the capt'n not just the first time the Borg actually reproduce themselves (by then, Chakotay would be the sperm donor 1+n times). Because of all that, Janeway would probably end up a poor crazy woman by the end of the show. (Kate Mulgrew's chance at Emmys.)

In the end, Tuvok would have become Commander and Tuvix would have gotten some or all of Tuvok's duties (suppose Tuvok was out of commission for a short while, so Tuvix would have gotten valuable battlefield experience). Once the doctor decided Janeway was no good anymore, Tuvok would be acting captain or something. Torres would be second-in-command, Seven of Nine would do engineering.

Chances are also, that Tuvok's impending mental disease issue would have withered away, given that Tuvix was half-Vulcan and 'family' enough to help with the healing. I wonder how that would have looked like... Anyways, if that wouldn't help right away (since Tuvix is only half-Vulcan and might genetically harbour the same disease, which would perhaps emerge much later than in Tuvok), Torres would get command and Tuvok would give her progressively insane advice (which against all odds ends up working).

Tom Paris would still be the flyboy, maybe even literally after accidentally getting into a transporter accident with some flying bug. (Emmys for makeup or even sfx!)

And attrition would have allowed for some new faces (and perhaps also better actors) to emerge to the fore on the ship to replace lost senior crew. Romulans, anyone?

Star Trek: Voyager episodes that made me emotional

This is a post on an IMDb Forum. Posts on these forums may eventually get lost, so I post here, too, just for the sake of showing which some episodes of Voyager I liked.

I won't say cried, because it's corny and mostly I didn't, but definitely misty-eyed and choked up.

In no particular order from all the episodes mentioned here:
"Jetrel"
"Tuvix"
"Drone" (Jeri Ryan's best moments)
"Riddles" (Tuvok attacked by mysterious aliens, loses memory)
"Once Upon a Time" (where a shuttle crashes and Ensign Wildman records a farewell message to her daughter)

"Imperfection" is good, but I can't remember the episode very well. (about 7 of 9 getting too emotional and Icheb worrying about it)

"Lifesigns" was poignant (The Doctor getting to be with a Vidiian woman).

"Innocence" (Tuvok stranded on a planet with kids)

"Remember" was really good (Torres getting memories from an older lady about genocide).

"Timeless" is very good in execution, but Garrett Wang's acting wasn't so much, though he tried.

The Eavesdropper is only hearing thoughts

This post is in reply to a post on IMDb.

A typical misconception in entertainment industries — perhaps carried over from older mediums (print and radio), where text and speech was important to communicate ideas — is that people only think in speech, while I prefer to think that there are people who rely on text to think and that there are people who use mental images in their thought processes.

This makes catching someone's thoughts more difficult, if a person observed uses the kind of mental imagery that necessarily does not use that person's own (inner) voice, but that of someone s/he thinks about. The trick, then, is to be able to detect what the person's underpinning thought process is in relation to the image and the activity in that image that is working in their primary consciousness. The difference here is in getting to observe what the person perceives in their thought processes, and actually eavesdrop on what he or she really thinks about. Overlap isn't always guaranteed.

Since I haven't seen the film, I guess the experiment was in getting people (or just the protagonist; see below) to only 'hear' someone's thoughts, but not necessarily see them. This would mean that the ability of perception was probably limited to receiving just one type of sensing faculty.

Given the film's premise of 14 people (out of 15) becoming crazy as a result, then I guess the failed method did not include a filter on these people, and so their minds vere overwhelmed. I remember this issue was once handled in an episode of "Buffy the Vampire Slayer", where Buffy's mind-reading sensitivity to read others' minds and sensing radius progressively expanded to the point that it became almost impossible to have a sane mind.

See the Mental image article on Wikipedia for more.

Another point is that even despite filmmakers, of all people, realizing that people also think in images, then it's probably just easier to use the "hearing of thoughts" method than "seeing the thoughts" method, as the former is cheaper, while the latter may sometimes require expensive means of post-production to visualise 'seeing' someone's thoughts. Think "Minority Report" and "Brainstorm" (1983).

P.S.
Saw a poster and that George Takei was in it, so got here.

Of closets and people

As time goes on and many other people come out of the closet (such as Zachary Quinto), then I get more and more comfortable with famous people not coming out of the closet or not revealing any of their private lives (mostly because of family reasons), and not just because they have a job made more dangerous if they were out.

It is because there are other people now who are coming out of the closet, more and more so. One day, Page Six is just going to have its own section every day: "People who came out today," hopefully well before obituaries at the back.

The only caveat being that some people might decide to stay in the closet for exactly this reason :\

Some actors might choose to stay in the closet to get better considered for 'straight' roles (somehow I think it still happens like that), but a recent blog post or article, probably at Post Apocalyptic Bohemian, suggested that the movie industry should also start appreciating gay actors who can convincingly play straight roles, as "Brokeback Mountain" so well proved to us in reverse.

Women, kids, and Stargate Universe

To refer to a user on GateWorld Forums who contended that the most populous demographic watching Stargate Universe (SGU) were older (white) men who would watch any and all Stargate that was available. He asked if women and kids "killed" SGU — implying those Nielsen viewers who didn't watch Stargate Universe, thereby letting SyFy have low ratings as the official reason as to not renewing SGU.

I haven't seen the Nielsen statistics, but based on information presented here (that mostly men watched), then the conclusion is that not all [i]Nielsen[/i] women could watch the show — preferring "Dancing With The Star(let)s". — And those that could watch couldn't let their kids watch, effectively sacrificing watching it themselves.

Part of SyFy's favoured demographic wasn't adult enough: The young kids who couldn't see (under-14's), and older kids who wouldn't watch (the video game generation not interested in character drama). And assuming those were mostly male. The 'girl' demographic could have been turned off either by the very concept of science fiction, or other interests, such as Dancing With My Two Left Feet and a goth woman scientist secretly infatuated with her father-figure-boss.

There's been another thread over here questioning if any of the women characters could have been or could have become someone like Carter (I haven't read through all the thread yet, but I do have a draft reply for it), or very nearly as perfect as her. You know, these people are very few and far between anyway; the closest real-life examples are women astronauts or someone like Valerie Plame. — I have to admit I dropped my jaw when I first saw her on tv (IIRC :-).

This must probably be a cultural thing that women in nowadays' U.S.-based (or -targeted) television shows are very strong characters, possessing almost superwoman-like capabilities in each show, including NCIS, SG-1, and so on; as if that were something who young American women would strive to be, thereby failing to tolerate characters more fallible than your average superchick.

Truth of the matter is, that most people (including women) just are not as perfect as the 'hero'-type characters presented on popular tv shows. I have to contend that SGU was so realistic in its presentation that it perhaps turned viewers off to the collective dismay of us fans. I remember an unintentionally funny line by an SGU hater who wrote (on IMDb, I think) that tv shows weren't supposed to show real life...

Oh, and the kids that did watch SGU, didn't watch it from a Nielsen box, but I guess, very much on their own terms. I am also considering failures in marketing SGU, but I don't know where did the responsibilities lie as to who was supposed to do exactly what.