Kuvatud on postitused sildiga cold y generation. Kuva kõik postitused
Kuvatud on postitused sildiga cold y generation. Kuva kõik postitused

neljapäev, 28. aprill 2011

The Golden Age of Mustamäe

In reply to Giustino's missed america

I guess what Giustino is referring to about the simpler times of 1950's is what for some people resembled the Golden Era, a time, probably ending in 1940's when things were good and fine in America. I can't really put a spot on that one, but this might be a span of time before television took hold in the States, so for a similar reminiscense of "old good times", this time before the time of television, I'd tentatively put The Golden Age of Radio as the one.

When I further thought of this and similar terms, I realised that they have a tendency to come to use well after a period of growth and/or progress has (either gradually or abruptly) ended, in a time when people are a whole lot more sober about their outlook and look at the past with some nostalgia.

This is the kind of past that is not always known by today's contemporaries, but passed down by their older brethren and ancestors, through folklore and culture. We may not have a first-hand feeling of what the 1950's were like, but we've seen it in in the movies, read about it from the books.

Perhaps most interestingly, the books and movies that we refer to when reminiscing about an era may have had less significance in their time than now.

Some cultural items that proffer to establish in the minds of masses the way how things felt like at the time fail to do so, IMO, and some don't.

It's difficult to assess nostalgia. Sometimes it's as simple as having a meal with friends (or alone) in a local diner, or that you actually spent quite a lot more time actually talking, discussing, and interacting with friends and family.
"Nüüd elan Mustamäel...", which Liivimaa parim ratsutaja referred to, is "Mustamäe valss", the lyrics for which can be found here. The page has an inset which says that the song was written in 1971 and explains that Mustamäe was first known as All-Nõmme or Mustamäe-alune (I'm too tired to parse all this into English). The inset explains further that to people suffering from cramped dwellings in "wooden" districts, a spacious property seemed like a godsend.
Historically, before Mustamäe and Õismäe and Lasnamäe, there were more wooden houses and dwellings across all of Tallinn than Kalamaja (which is just representative of the type). A large amount of those wooden houses have been replaced by newer fare both in Soviet and post-Soviet times.

Even in 1980's, upgrading from ühiskorter (communal apartment) in ühiselamu (ühikas) or a one-room flat to a three-room flat anywhere in the city was like a huge stroke of luck. I know there are absurd-sounding, but probably true stories of even three generations living in a one- or two-room flat, and maybe a cat and a dog, too. In those times, a three-room flat was never unreasonable, but a dream not always attainable; well-todo people had a four-room flat and teh rich ppl had a private house, or eramaja :)

More on ühiskorter in Estonian Wikipedia can be read about in article talk about the term.

pühapäev, 19. detsember 2010

Sell Stargate Universe to another channel?

I recently posted this to GateWorld, but getting it here in my blog is just faster. I slightly edited the text for less ambiguity and better grammar.

On causes and effects

1. I read some of the possible factors for cancellation by SyFy and one of them was timing, where a four-month delay throughout the winter is bad for an arc-based show, because new and casual viewers could quickly lose interest, which is why ABC kept airing "Lost" without much interruption. I belive that the choice to move the series to Tuesdays was a bad move (schoolkids are busy doing homework, other people working inside a week, while Fridays are freer).

2. The other problem is in marketing the show: First-viewing rights went to Anglo-Saxon countries (U.S., then Canada, then UK and Australia) and then some other country's channel got the episodes later or that channel wasn't quite interested: people in that country already had the episodes online (by any means): iTunes does not extend to enough useful territories, Hulu is only U.S.-based and did anyone consider having the episodes up on VEVO (an ad-supported YouTube project)?

The trick is in timing: Some very successful movies (The Matrix series came to mind) are screened near-simultaneously worldwide to avoid losses in second and third countries, because by the time a movie screens there, people in those might have already seen the material outside the movie theatre and may thus stay away from there.

Crazy idea #1: is for MGM to produce a quality SGU episode and launch it as a movie, worldwide (with nearly the same production budget). And many episodes back-to-back that way. I know it hasn't been done before.

Crazy idea #2: In trying to continue SGU on another channel, a collection of interested TV networks from around the world (I first thought Europe, where Atlantis was very popular, but then there's Australia, NZ, Japan, and maybe some friendly Latin-American countries) could create a collective financing pool to help produce SGU with the current producers keeping the creative freedom and all those channels could then near-simultaneously air the episodes. This would off-set the need to get individual episodes by ambiguous means. Now, how to get the channels interested in product and project, is another matter.

In addition, good DVD marketing could also help.

Farscape had the Library project and the Military/Navy project — donate VHS's (at the time) and DVD's to libraries and military/navy outposts. We could do the same and even more.

(This was my first post on GateWorld)

pühapäev, 5. detsember 2010

Taskurahast, raha teenimisest ja hooplemisest

“16aastaselt hakkasin teenima rohkem kui vanemad kokku” - Delfi "Noorte hääl"

Töökus (inglise keeles ka "hard work") on selline väga inetu sõna järjepidevuse kohta ning on järjepidevaid ja eesmärgile pühendunud noori ning ka selliseid, kes seda ei ole.

Inimesed on erinevad ja kodune kasvatus on seejuures mitmel puhul määrav.

Omapärane on see, et edule orienteerunud sisuloojad soovivad tõenäoliselt head soovides niisugust edumõtlemist ehk taasluua, kuid see tuleb neil niisuguste ja sarnaste artiklitega viletsasti välja.

Seda seepärast, et nii pealkirja ja kogu jutu raskuskese põhineb tõdemustel, et kui palju keegi raha saab (olgu siis teenimisega või teisiti) ja mitte sellel, et millega noor inimene tegeleb, kuidas ta end teostab ja kas eneseteostusvõimalused on piisavad ja/või rahuldavad.

Võimalik, et iseäranis hooplevalt paistev pealkiri ei peegeldanud õigesti artikli sisu, mille eesmärk tegelikult oligi näidata ära see, et milline on koolinoorte sissetulek.

pühapäev, 18. aprill 2010

What the years do to people

Here's an edited and complemented posting, which I first wrote as a reply to a forum posting I originally made on an IMDb forum:

Only that he was about 25 while playing an 18-year-old (the film was released on 15.03.1991 and Grieco was born 23.03.1965), but this might have been a running gag about how much older actors play teens. The movie was funny, but not necessarily because of Richard Grieco.

To provide some context, then I am gay, too.

I should say that I kinda fail to see anything hot in him, despite his above-average looks at that time (I had to Google to see what he was like back then :-).

When watching the movie, I only passingly noticed him as the lead there, where the best-performing actor was actually Linda Hunt. Thereafter, I often confused Hunt with Mindy Sterling, who played Frau Fabrissina, a cohort of Dr. Evil in Austin Powers movies. Granted, Hunt's Ilsa Grunt and Sterling's Frau Fabrissina were both very similar characters and I think that Fabrissina may have in part been modelled after Ilsa Grunt: both characters are evil, diminutive, authoritarian and murderous women who are not in their first youth anymore and who have or have had an affair with the main antagonist.

In Estonia, "If Looks Could Kill" (will be referenced below as ILCK) was never seen in cinemas, with the reason being that the film was released in 1991, which was the year when Estonia regained its independence from the Soviet Union (the first widely seen and distributed Hollywood flicks were "Home Alone" and "Hot Shots" or "Hot Shots 2").

Instead, ILCK had a few airings on TV many-many years after 1991 (2000-ish and later), when I wasn't young enough anymore to see what was it in Grieco that charmed the generation before me.

When searching for pictures of Grieco in Google Images (using "Richard Grieco" with quotes for the exact phrase search), I stumbled upon a blog called "My New Plaid Pants" with a post ("The Hall of Hubba-Bubba", dated April 5, 2007) praising the various famous male physiques of the era (mostly 1980's and very-very early 1990's). There, one of the images near the top was the Diet Coke Guy, or Lucky Vanous (who I think was much hotter than Grieco). Since I had then just seen from my Google image search what Grieco looks nowadays, I was intrigued to see what Lucky Vanous looks now...

Despite both having had different fates (Grieco evidently continued acting; yet while Vanous (born 1961) became instantly famous, he struggled as an actor, so a few years back he opened a successful healthy fast food restaurant in L.A.), it is my judgment that Vanous now looks much-much cuter than Grieco:


From then-and-now comparisons of Grieco, I thought that his face does not look as natural than it did in his youth or in 12-year-old basketball images on his IMDb profile's gallery page, when his face appeared more natural.

pühapäev, 7. detsember 2008

Cold Y Generation

This is what I planned to write Wikipedia: Talk: Cold Y Generation, but for the sake of brevity there, I placed the bulk here. Maybe will expand later with more relevant stuff and other links.

We used fountain pens at first and second class (and maybe beyound) to exercise good handwriting (no "kid" font). The childhood historical shift was the end of the Cold War, but here termed as sovereign countries regaining their independence, which I recall in a manner similar to how User:209.6.159.204 remembers the Berlin Wall event: knowing that things happened, but confused at first as to why. So I never understood either (and was poorly interested on) what "Rambo" and "Commando" were until I learned their short synopses in my 20's and saw a couple scenes from these. I can vaguely remember the Challenger accident and the Chernobyl incident.

Ditto on reality tv and the MTV Generation. I am still aware of the much more simplistic way of life before the onslaught of Internet technology, of which I was a very early adopter compared to my peers at that time. 9/11 did make an impact, perhaps for the reasons of having been disinterested in evening news in early years and later having had the chance to follow 9/11 on the net through MSNBC's live feed (which was shown in a small window) to see the eventual demise of WTC7 (missed the first two towers because of school).

Never had a VHS player in a household and no cable for a very long time. Never got the vibe of popular local or U.S.-focused social networking websites targeted at Gen-Y'ers.

To present a cultural vantage point (like Jman did) of what I watched in the 1980's, then I can tell that I, perhaps willingly, as a means to an escapade, grew up on lots of TV: Soviet kid's cartoons and Estonian kid's films, MacGyver (on Finnish TV), Latino soaps and then throughout 1990's "Santa Barbara", "The A-Team" and "The Equalizer", the horrendous "Saved by the Bell" (still all 1980's stuff), some of "BH 90210" and "Melrose Place" (and "Valley of the Dolls" to boot :), "Star Trek: TNG", then later DS9 and followed Farscape into adulthood.

cbc.ca column